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Xiaoze Xie

'the MOMA library'
61x91,5 cm, 2007
XIAOZE XIE
BORN:
EDUCATION:
1996 |
Master of Fine Arts, University of North Texas, Denton, TX |
1991 |
Master of Fine Arts, Central Academy of Arts and Design, Beijing, P.R. China |
1988 |
Bachelor of Architecture, Tsinghua University, Beijing, P.R. China |
AWARDS and COMMISSIONS:
2003 |
Pollock-Krasner Foundation Grant |
2002 |
Art in Architecture Program commission for the Federal Building and U.S. Courthouse in Davenport, IA |
2001 |
Minority Junior Faculty Award, Christian R. & Mary F. Lindback Foundation, Philadelphia, PA |
1999 |
Arizona Artists Materials Fund Grants, Contemporary Forum, Phoenix Art Museum, AZ |
1996 |
Awards to Artist, The Kimbrough Fund Award, Dallas Museum of Art, TX |
1995 |
First Place, Voertman Art Exhibition, University of North Texas Art Gallery, Denton, TX |
ONE-PERSON EXHIBITIONS:
2005 |
Nicholas Metivier Gallery, Toronto, Canada |
2004 |
2001-2003 Fragmentary Views, Charles Cowles Gallery, New York, NY * |
2003 |
History: A Microscopic View, China Art Archives & Warehouse, Beijing, P.R. China * |
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Davidson Galleries, Seattle, WA |
2002 |
Charles Cowles Gallery, New York, NY |
2000 |
Davidson Galleries, Seattle, WA |
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Order: Installation and Paintings by Xiaoze Xie, Scottsdale Museum of Contemporary Art, Scottsdale, AZ |
1999 |
Devin Borden Hiram Butler Gallery, Houston, TX |
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The Blinding Light - Paintings and Photographs, Davidson Galleries, Seattle, WA |
1998 |
Devin Borden Hiram Butler Gallery, Houston, TX |
1997 |
Davidson Galleries, Seattle, WA |
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Evergreen State College, Olympia, WA |
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Brookhaven College, Dallas, TX |
1996 |
Puppet, Irving Arts Center, Irving, TX |
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Devin Borden Hiram Butler Gallery, Houston, TX |
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The Library Paintings, Gallery 414, Fort Worth, TX |
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Part I: The Library Paintings, Arts Council of Brazos Valley, Local Color Gallery, College Station, TX |
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Part II: Flags and Banners, College of Architecture Gallery at Texas A&M University,
College Station, TX |
1995 |
Mosaics Series, Dallas Visual Art Center, TX |
SELECTED GROUP EXHIBITIONS:
2007 PAN Amsterdam,Willem Kerseboom Gallery
2005 |
A Summer Group, Charles Cowles Gallery, New York, NY
The Daily News, Salt Lake Art Center, Salt Lake City, UT |
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2004-06 |
Regeneration: Contemporary Chinese Art From China and the US, Samek Art Gallery, Lewisburg, PA; travels to: Slusser Gallery, University of Michigan, Ann Arbor, MI; Ben Maltz Gallery, Otis College of Art & Design, Los Angeles, CA; Arizona State University Art Museum, Tempe, AZ; Williams College Museum of Art, Williamstown, MA; Ewing Gallery, University of Tennessee, Knoxville, TN; University of Virginia Art Museum, Charlottesville, VA* |
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Misleading Trails, China Art Archives and Warehouse, Beijing, China: travels to: NIU Art Museum, Northern Illinois University, DeKalb, IL; University Art Gallery, University of North Texas, Denton, TX; Hanes Art Gallery, Wake Forest University, Winston-Salem, NC; Vanderbilt University Art Gallery, Nashville, TN; Boyden Gallery, St. Mary’s of Maryland, St. Mary’s City, MD |
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2004 |
Texas Vision: The Barrett Collection, The Meadows Museum, Southern Methodist University, Dallas, TX |
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Inaugural Group Show, Nicholas Metivier Gallery, Toronto, Ontario |
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Chinese Artists in Academia, Columbia Art League, Columbia, MO; St. Louis Community College, St. Louis, MO; Chesterfield Arts, Chesterfields, MO |
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2003-04 |
Natural Forces: Earth, Air, Fire and Water, Boise Art Museum, Boise, ID |
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2003 |
Across the Divide, Gatov and Werby Art Galleries, California State University, Long Beach, CA |
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The Great Drawing Show, 1550- 2003, Michael Kohn Gallery, Los Angeles, CA |
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2001 |
Allentown Art Museum, Allentown, PA |
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Art League, Houston, TX |
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Charles Cowles Gallery, New York, NY |
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2000 |
Charles Cowles Gallery, New York, NY |
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Davidson Galleries, Seattle, WA |
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Guangdong Museum of Art, Guangdong, P.R. China |
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Phoenix Art Museum, AZ |
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Rosalyn Richards and Xiaoze Xie, Bucknell University Art Gallery, Lewisburg, PA |
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1999 |
West Looks East, LewAllen Contemporary, Santa Fe, NM |
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1998 |
Building for the Millennium: Recent Acquisitions, Scottsdale Museum of Contemporary Art, AZ |
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1997 |
George Segal and Xiaoze Xie, Bruce Gallery, Edinboro University of Pennsylvania, Edinboro, PA |
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1996 |
First Texas Annual, The Contemporary Art Center of Fort Worth, TX (curated by Dave Hickey) |
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Inviting the Muse, Southeastern Oklahoma State University, Durant, OK |
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X-tracted, 500X Gallery, Dallas, TX |
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1995 |
Scott Barber and Xiaoze Xie, 500X Gallery, Dallas, TX |
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Voertman Art Exhibition, University of North Texas Art Gallery, Denton, TX |
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Members Invitational, McKinney Avenue Contemporary, Dallas, TX |
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Dallas City Hall, Dallas, TX |
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Art Tex/ MFA at CAA, state-wide invitational exhibition of current graduate students, the University of Texas at San Antonio Art Gallery, San Antonio, TX |
Dishman Competition, the Dishman Art Gallery, Lamar University, Beaumont, TX |
1994 |
Unity and Diversity, Cora Stafford Gallery, University of North Texas, Denton, TX |
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Union Gallery, University of North Texas, Denton, TX |
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Dallas Visual Art Center, Dallas, TX |
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26th Annual Juried Fine Arts Awards Exhibit of North Texas Area Art League, Center for the Visual Arts, Denton, TX |
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1993 |
25th Annual Juried Fine Arts Awards Exhibit of North Texas Area Art League, Center for the Visual Arts, Denton, TX |
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1991 |
Four Young Artists, Shantou Painting Institute, Guangdong, China |
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Faculty Show, Department of Arts and Design, Shantou University, Guangdong,
P.R. China |
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* = catalogue
COLLECTIONS:
University of Seattle, WA
Museum of Fine Arts, Houston, TX
Scottsdale Museum of Contemporary Art, AZ
Eastfield College, Dallas, TX
Microsoft Corporation, Redmond, WA
SELECTED BIBLIOGRAPHY:
2005 |
Laster, Paul, “Reviews: New York,” Art Asia Pacific, Winter, p. 84. |
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Muchnic, Suzanne, "Old Meets Bold," LA Times, March 20. |
2004 |
Heartney, Eleanor, “A War and Its Images,” Art in America, October, pp. 51-55. |
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Coleman, Rufus, “Painting the News,” The North Texan, Winter, pp. 34-35. |
Wu, Penghui, “The Possibilities of Implication, Misleading Trails”, Art World, September, p. 16. |
Ah Chang, “Regeneration”, Art World (China), September, p. 15. |
Nichols, Matthew Guy, "Xiaoze Xie at Charles Cowles," Art in America, June/July, p.181. |
Suh, Sangsuk, “Painted History through Slices of Newspapers,” Wolganmisool (Monthly Art, Korean), June,. cover & pp. 111-115. |
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Dault, Julia, “New gallery decks its halls,” National Post, May 13, p. AL12. |
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Goodbody, Bridget L., "Reviews," Time Out New York, April 8-15, p. 53. |
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Robinson, Gaile, “Local Scene: Visual Art,” Ft. Worth Star-Telegram, April 4. |
Heartney, Eleanor, “The Certainty of Uncertainty: History and Memory in the Work of Xiaoze Xie,” Catalogue essay for “Xiaoze Xie: 2001- 2003 Fragmentary Views,” Charles Cowles Gallery, New York City. |
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“Goings On About Town: Galleries-Chelsea: Xiaoze Xie,” The New Yorker, March 29, pp.17-18. |
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Loos, Ted, “Fish Wrap, Bird Cage Liner, Still Life,” The New York Times, March 21, Arts & Leisure Section 2, p. 32. |
Li, Xianting, “The Regeneration of Three Traditions,” catalogue essay for “Regeneration: Contemporary Chinese Art from China and the US,” Samek Art Gallery, Bucknell University, Lewisburg, Pennsylvania, January. |
2003 |
Mak, Gerry, "Disposable History," That's Beijing, October, p. 38. |
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Leanza, Beatrice, “Double-Code Reality: Slow Motion and Still Cropping from the Age of Symbosis,” curator’s essay, China Art Archives and Warehouse, Beijing, October. |
Zevitas, Steven T., ed. “Xiaoze Xie”, New American Paintings, No. 44, March, pp.158 |
2002 |
Chinen, Nate, “Xiaoze Xie,” digitalcity.com New York, April. |
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Pollock, Lindsay. “Art Show Action”, artnet.com magazine, February 22. |
2000 |
Josslin, Victoria. “Loss, Disintegration and Nostalgia at the Davidson Galleries”,
Seattle Post-intelligencer, November 11. |
Hopkins, Debra L., “Order: An Installation and Paintings by Xiaoze Xie,” curator’s
essay, Scottsdale Mueum of Contemporary Art, Arizona, May. |
Horodner, Stuart, “Book ‘em,” curator’s essay, Bucknell Univeristy, Lewisburg,
Pennsylvania, February. |
1999 |
Updike, Robin. "Show Wrestles With Reality, Books Dominate Xie's Haunting,
Ambiguous Work," Seattle Times, February 25. |
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Fugami, Tracey. "A Bookworm's View," International Examiner (Asian American
Journal of the Northwest), Volume 26, Number 4, February 17 – March 3, p.11. |
1977 |
Newman, David. "Between Painting and Photography: Four Works by Xiaoze Xie,"
Curator's Essay, Brookhaven College Center for the Arts, February. |
1996 |
Inman, Marice. “New Talent Gallery to feature work by Xiaoze Xie”, ARTimes,
October, p. 2. |
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Kutner, Janet. “Museum Distributes Six Grants/ DMA lists winners, names new
Trustees”, The Dallas Morning News, May 24, p. 43A. |
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Shang Chong. "On Xiaoze Xie's Art," Jiangsu Art Monthly, November, pp. 31- 35. |
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Wilson, Wade. "Illiteracy on Canvas," Fort Worth Star-Telegram, April 28, Section F,
p. 2. |
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Swift Wes. "An Artistic History of Protest," The Battalion, March 20, p. 3. |
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Bever, Jennifer. "Searching for Artistic Freedom, Chinese Painter's Work Open to
Many Interpretations," Bryan College Station Eagle, March 17, Section D, p. 9. |
1995 |
Wilson, Wade. "A Moving Mix of Classical Style, Powerful Statement," Fort Worth
Star-Telegram, November 26, Section F, p. 4. |
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Wilson, Wade. "Mosaics Puts Together Pieces of Chinese Culture," Fort Worth
Star-Telegram, June 11, Section F, p. 4. |
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